The Shop Floor
Mechanical Design That Starts With the Fixture, Not the Render
Most design problems are not born in the beautiful assembly view. They are born where a bolt head meets a weld bead, where a bearing shoulder runs out of room, or where a chain of tolerances quietly eats the clearance that the concept sketch assumed. AXOM MechDesign LLC was built around that observation. We are a computer systems design and engineering services company, and the work we sell is clarity: drawings, stacks, layouts, and checks that hold together when the parts are real.
Our principals have spent years on both sides of the print. That means we write notes the way a machinist reads them, we choose datum features the inspector can actually reach, and we avoid calling out a geometry that cannot be produced at the price the program expects. The shop at 2538 E 3750 N in Layton is a working studio, not a showroom. Prints are pinned, parts are labeled, and the first question on any new job is always the same: what is the mechanism supposed to do when it works.
Design Work for Small and Medium Builders
Many of our clients are small and medium machine builders who need a design partner for a single mechanism rather than a full engineering department. They come with a housing, a motor, a constraint, and a deadline. We join the project at whatever level is useful, from a single gear train layout to a full bracket package with tolerance studies attached. When the project needs field support, we come to the bench.
Because the studio is deliberately small, every deliverable passes across the same handful of hands. That continuity is the point. A gear train layout and the tolerance study that protects it are written by people who have already argued about the same interference, so the documents agree with one another without a reconciliation meeting. Clients get fewer files and more confidence.
The Gear Bay Method
We call our working method the gear bay. It is a simple sequence: cut the teeth, throw the crank, seat the shaft. In plain language, we first define the geometry that carries load, then we define the motion, then we define the interfaces that must hold everything in place. A project that follows the sequence rarely backtracks, because the hard decisions are made while the drawing is still cheap to change.
The vocabulary is deliberate. Cutting the teeth means settling the gear train before any packaging. Throwing the crank means checking the motion envelope and the alignment of the rotating members. Seating the shaft means locking down the bearings, shoulders, and fits that make the assembly repeatable. Only after those three passes do we decorate a drawing with detail that a fabricator will trust.